Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Evie Kitt

by | February 4, 2014

Aegrus (1)
Aegrus

“In my paintings, all large-scale works made on the studio floor with an unpredictable but manipulatable set of materials, I endeavour to alter the perspective, shifting the view beyond the bird’s eye and into the omniscient gaze. The swirling ambiguous forms can be read as tumultuous skies, interstellar nebulae, whirlwinds and solar flares, as oceanic scapes or barren nowhere lands; moreover it is the quality of interpretation where the artistic sensibility lies.

to travel there
To Travel There

“The range of influences stretch as far back as Friedrich and Turner, through to Strindberg and Monet, then Anselm Kiefer and Maggie Hambling and currently Samantha Keely Smith and Nina Murdoch, as well as branching sideways into the illustrative worlds of Gregory Euclide and Roger Dean. I draw upon aerial photography, in particular the photographs by astronaut Chris Hadfield of the earth from the ISS, images from the Hubble Space Telescope, and the organic forms and landscapes around me, constantly archiving and blending visual elements that evoke painterly worlds and unknowable places.

Stream_Where Do You Think We Are

 

Stream/Where Do You Think We Are

“In an era of artistic pluralism and terrifyingly exciting connectedness and technological communication, the painterly means become for me a mode of exuberant investigation, harking back to romantic and expressive painting whilst leaning forward into an age of advancement, of space exploration, of the individual becoming part of not only a global nation but of a galactic one.”

Planet

 Planet

From Above

From Above