Review: The Golden Cockerel
A trumpet blares – tremolo builds, anticipation hovers. The mesh background drips starlight as the orchestra drifts downward in a minor key. A soldier glares at the audience, and I find myself in an enchanted world somewhat reminiscent of our own. An astrologer takes the stage. There is a deceptiv
Voices from the Entr’acte
“You’re not performing femininity in a way that we can read onstage, so you’re failing at performing this,” says Aiden K. Feltkamp, recalling the rehearsal process for a scene from Rossini’s Barber of Seville. Feltkamp – a transgender non-binary writer based in New York City – trained
