Voices from the Entr’acte
“You’re not performing femininity in a way that we can read onstage, so you’re failing at performing this,” says Aiden K. Feltkamp, recalling the rehearsal process for a scene from Rossini’s Barber of Seville. Feltkamp – a transgender non-binary writer based in New York City – trained
Grass Island
Guernsey was built to be on a postcard. Sand crocuses and sea thrift flowers carpet its long coastal dunes; thatched stone cottages with open shutters bask in its continental sun; yellow and pink bunting canopies its narrow, cobbled streets. It is a polite place. Road signs instruct vehicles to R
