Review: Cezanne at Tate Modern
It is said, perhaps to the point of cliché, that Paul Cezanne was the “father of modernism”. Amusingly, when Tate was first offered a painting by Cezanne in 1921 (The François Zola Dam, 1877-8), its then director rejected the loan, on the grounds that he was too modern. A century on, however,
