Portraying
Hetta Garber had been his muse. She was sitting on a divan, watching him paint her. If she leant back far enough and looked in the mirror above her, she could see herself shimmering for a moment before the trick collapsed and she was swallowed up by the turquoise-green and shell-pink background. “
Bosch: Hypnotic Degeneration
I have always called myself an atheist, but this spring I found myself on a pilgrimage. Desperate for cultural enrichment on my short holiday in Madrid, I stood in front of the neat white steps of the Prado. My friends and I, vaguely hungover, flinched at the packs of European schoolchildren queuing
Fashioning Decline
“It is quite consummate, is it not!” cries the Aesthetic Bridegroom of his new teapot, in a Punch cartoon of 1880. “It is, indeed!” replies his Intense Bride. “Oh, Algernon, let us live up to it!” Let us surround ourselves with beautiful things, and let those selves live up to them. The
Getting creative: the feminine twist in a masculinist movement
Many thanks to Monika Kozub for providing the images to illustrate this article. It means so much to be supported by a creative I admire and whose work has inspired me in many ways. Please check out her PERIOD series, which is part of a campaign to tackle period poverty! On a red-velvet chair, I [&h
Seeing Double
Squirrelled away in Room 65 of the Ashmolean Museum are two remarkable landscapes. The paintings hang side by side in the Pissarro Gallery, surrounded by a collection of nineteenth-century pictures, and have done so for over a decade. They are, to wit, Camille Pissarro’s View from my Window and Vi
What Remains
A pink scarf he bought that first Christmas together. Not that she ever wore scarves, which was why he’d bought it in the first place, and why he shouldn’t have bothered. (It snowed that January – more sludge than snow, really, the kind that produces muddy, misshapen snowmen – and sh
Interview with Rebecca Salter
Lucy Thynne and Deputy Editor Claire Ion spoke to the first female President of the Royal Academy of Arts, Rebecca Salter, during the lockdown of early 2021. In this interview, they chat about keeping galleries afloat during the pandemic, moving to Japan as a young artist and what inspires her famou
Contact Sheet
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