REVIEW: RxJ
It begins with Mercutio, which is right. For an adaptation of Romeo and Juliet which claims to be a ‘radical new imagining of Shakespeare’s classic,’ it seems intuitive to open with Mercutio’s dying speech, the moment the play turns to tragedy, merging with the familiar prologue. Rory Fraser
The ISIS review: Copenhagen, , Pilch Studio 19th – 22nd October MT16
Michael Frayn’s Copenhagen revolves around the meeting of Werner Heisenberg and Niels Bohr in September 1941, the words exchanged between them and the race for nuclear fission in the Second World War. The longstanding but now precarious relationship between the two scientists is examined by the ch
The (Under)Use of Scent in Theatre
Seeing The Woman in Black in theatre is par for the course for anyone studying GCSE or A-level drama, but it wasn’t just my wimpish nature that made me so terrified the first time I saw it. There’s something affecting about being in the same room as the actors, however far removed, especially if
