So you’ve caught feelings…
It’s a fact of statistics that (for most of us) the body counts of our sexual partners will be higher than our own; someone who sleeps with a lot of people is more likely to have slept with you. Those same sweet nothings, which may have seemed so touching and honest at the time, have […]
Faux-Bohemianism is obscenely boring.
If you want to break the mould, resist the system, do so. But vice-signalling and aesthetic rebellion won’t shatter the fundamental inequalities that faux-bohemians fail to confront. Universities and cities around the world are beset by a litany of issues, from affordability to stu
Bradland
Brad’s arguing with his girlfriend when she turns into him. It’s a Sunday evening and they’ve driven to the rocky outcrop a mile out of town, to watch the sunset and listen out for the coyote with the banshee-howl, and to pretend that suburbia isn’t making their lungs collapse in on themselv
A play to remember? The Glass Menagerie: Pre-Show Interview
The Glass Menagerie, Crazy Child Productions, Keble O’Reilly, 4th-8th February Pre-show interview We meet in an out of the way room in Keble College where, tables swiftly shifted to the side, one part of the ‘vast, hive-like conglomerations of cellular living-units’ (so Tennessee
It is bourgeois to block your ex.
There is this thing Vladimir Nabokov’s Ada, his longest, most torturous (at least the first 20 pages), and certainly most arduous book to read. In it, Van and Ada, the twin protagonists, two lovers who have been together and separated for over 80 years, share this term for each others’ past flam
In Conversation with the OUDS Committee
Oxford theatre, in its student form, tends to speak about itself the way universities often do—as a community before it is an institution, an open door before it is a structure. It imagines itself as a facilitator of creative freedom rather than a body that governs or regulates. What emerges from
